It's pastebin. Mehkanik maintains an archive of KS fan fiction on pastebin. There are a LOT of things there that have never been mirrored here, and I don't see why we should limit ourselves to the forum.Sea wrote:Curses! I don't think the fireman story is on the page and one of the rules is not external links . . . . . Would anyone be adverse if we read it?
Anyway, we were talking about Titanium, right?
It's what I'd expect from Meadows in terms of writing quality, though the subject matter is a little weird. The idea that robotics and cybernetics could advance that quickly is rather optimistic, but the dystopian theme of the tale sort of punches holes in that optimism - kinda like how Miki punches holes through people.
Starting in media res with Miki being chased through a government facility by a team of inept goons is a little jarring, and the first few paragraphs don't quite establish the setting. It almost sounds like a peaceful run out on the track from the first sentence, and then it sort of becomes more urgent with each line. Basically I like the beginning, but there's some sloppy execution in the first few sentences.
The whole scene with Molly is sort of written in the wrong tense, which may indicate it was written first and later sliced off the beginning and placed after the initial run sequence so the story could start on a more urgent note. That said, it's a nice bit of catch-up coupled with some appropriately Miki-esque banter. Molly becoming a doctor specializing in cybernetics makes sense, though it's a little cliche - the Indian girl studied medicine? Really?
Hisao is dead by this point, and ye olde "died a week before the cure" cliche gets tossed in a little too conveniently. That, of course, doesn't set Miki up to be the brutal, dead-eyed avenger we see later, so Suzu is given a tragic backstory and placed in animated suspension, thereby providing Miki with a goal that allows her assault to make some semblance of sense.
Then we cut back to the facility, and Miki makes her mad dash through an ocean of uncoordinated flesh, battering, brutalizing, and bludgeoning her way toward the exit. But, wait, isn't she doing this to save someone's life? Aren't these guards just doing their job, trying to protect federal interests? With that in mind, Miki ripping them to shreds - going so far as to reach through someone's abdomen to break their spine - starts to feel a little excessive.
Granted, it's her best friend's life she's trying to save, and these soldiers wouldn't hesitate to kill her to neutralize the threat, but the savagery Miki displays just seems out of place. Given the advantages she has over them, it would be simple enough for her to evade, incapacitate or immobilize rather than engage in senseless slaughter, but I guess it was fun to read.
When she finally makes it through that door and meets with the entire Army, including the armored division, a sortie of helicopters and whatever other ridiculously excessive machinery her future world possesses, I half expected her to just start ripping tanks in half with her bare hands, flinging their torn metal carcasses at the helicopters, and then slaughtering all the soldiers via twisted metal pirouettes. That didn't happen, of course, but I guess nano-tech armor that deflects bullets like they're pillows is kinda cool.
In the end this sort of felt like the opening scene for a modern video game. The hardened heroine assaults a government facility seeking the latest tech to help save her comatose friend. If it were a little more Shaolin rather than straight-up Predator, it wouldn't be a hard premise to sell to a Hollywood studio. The ultra-violence would guarantee an R rating, but in an age of Lollipop Chainsaw, I think Titanium - with a good team of writers, actors and directors - could find an audience.
That said, I would need a bit more justification for the ultra-violence, if only to make Miki seem like less of a completely psychopathic antihero.