Reksho wrote:Shadowyeclipse wrote:Reksho wrote:Not at all. In fact, I absolutely cannot stand shy girls, especially if it's specifically done for the moe-factor (which largely isn't the case in KS). I'm more of the tomboyish happy-go-lucky girls, bonus points if there is a back story with depth (like Emi's). Maybe it's because I used to be shy in the past and Hanako resembling that part of my life. Still, even back then I didn't like shy girls in media.
I'm playing the Hanako route for the first time right now and am in the middle of act 3. Still didn't connect with her emotionally but I'm willing to go through the whole thing.
That actually does confuse me somewhat. All of the routes are really well written, and I managed to connect with every single one of the characters. Though some of them are far from my favorite and I don't like some of their routes, it is still really great storytelling.
How do you NOT get attached to any of the characters in some way?
Maybe I should rephrase it a bit: I don't connect as strongly with her emotionally as with the other characters.
If I think of the other routes, I have very clear scenes in my head that made lasting impressions on me. With the Hanako route, this seems to be lacking in my case. I also found that there isn't much happening in the route as of where I am now (mid act 3), feels a bit drawn-out. And there is a lot of reflection about things that may or may not be true. Basically, they are talking about ''what-ifs'' a lot while there is little ''this is''. Of course, this stems from the fact that Hanako is a bit shy so everyone is just trying to guess what's happening in her head. I also noticed that many words are being repeated, which wouldn't be a problem if the words weren't so characteristic (the word 'gingerly' for example is repeated a lot while it has many synonyms). I'm also somewhat bored by the dialogue of this route as many sentences feel so standard. Again, this is because of the characters involved in this route.
But I'm trying to be careful not to judge it too much beforehand as I'm guessing this all could also be a build-up towards the climax. The
shock Hanako experienced in the classroom and being escorted outside was memorable. I also like that Hanako
sometimes speaks about something completely unexpected (like asking what Hisao did with Lilly when they went birthday shopping).
I think it's fair to say, Hanako's storyline isn't for everyone. Part of that is why I am still frustrated with the ending of her arc.
Much like Hisao himself, the people who are going to be taken with Hanako's arc are going to be those who can see her for the sweet girl she is, locked in an emotional prison of her own design, or else for the troubled girl she is that could use a hand. Throughout her story arc, one of these two is going to be taken to the extreme; he's either going to be the guy who is always there for her and see her for who she is on the inside, or he's going to try so very hard to stand up for her and bring her into the world some more. One of these ends well, and one of them doesn't, and while I'm sure you know which is which, I won't actually say in the interest of spoiler prevention.
The thing is, a lot of people look at Hanako and just kinda brush her off. She's not the most outstanding of characters, particularly when her introduction is overshadowed by that of Lilly, Shizune, and Misha. My first playthrough I became quite attached to Lilly, and by proximity I had an interest in Hanako, which probably influenced my decision in romancing her as my next storyline. There's also the simple fact that some people don't like shy girls - I'm not a huge fan of pushy taskmaster girls, and so that's why I initially dodged Shizune, though outside sources convinced me she is also a nice person worth giving a shot.
But the thing about Hanako's storyline, even if you get the good ending with the tearjerker resolution and a D'AWWWWW ending scene, most of her story is about trying to build a relationship with her, and savoring the few moments when she's willing to open up. Compare to Lilly, where there was a fair amount of time just being in a relationship with her before the whole Scotland thing reared it's ugly head (though, as is understandable, it couldn't have been more than half an act). I think an excellent example of this is
Hankao's single intimate scene, which I found to be cripplingly awkward. Which was, I guess, sort of a plot device, but while I find it frustrating I love few things as much as the shot of her smiling on the pillow afterwards..
The point I entered with was, as soon as you have a stable relationship and have gotten past most of the stigma and shyness, the story ends, and we're forced to take our feels into non-canon sources. Some people would tell you that this is a preferable sort of ending, leaving the happy times to our imaginations, but Mass Effect 3 tried it and all they got was my disdain. Nonetheless, this very fact simply means that Hanako's arc isn't for all types of person, and I believe there will be people with which it just doesn't "resonate".
Katawa Shoujo. Making lonely nerds ask "why does it have to end?" since January 2012.