Umber's Short Stories [04/05: The Death of Rin Tezuka]
Posted: Mon Apr 11, 2016 6:06 pm
[04/05] Holy cow, it's been nearly a year. Well, I figure I might as well make this a place for whatever pops up.
Naomi Inoue and the Meaning of Mango Shakes: p1
The Death of Rin Tezuka
**
Naomi Inoue and the Meaning of Mango Shakes
Part One:
Sweet, orange, mellow, and crisp. Light and playful. Chilly through a straw and jackets for blankets, in that kind of weather where dead leaves only look so beautiful. We walk, talk - we sit on park benches and reminisce. The movie set without the camera angle, the scene without a script.
Sometimes, I’ll be watching the ground underneath me pass by, as a sort of game to play on the way to the district. How many steps do I take before the next panel of cement appears, I’ll ask myself, making long and short strides while staring somewhere into the infinite space between me and the sidewalk. My eyes won’t move, fixated on nothing in particular, while I walk to, through, and wherever else in the district. Occasionally, I’ll answer my phone if someone calls, if I brought it with me. Hanako texts every now and then. I text Natsume.
It’s a long walk. Sometimes, I have lots of time. Sometimes, I don’t.
I’ll find myself inside of a restaurant, probably the Shanghai. I’m usually with Natsume when I’m there, given that we’re really hardly ever outside of each other’s sight. Natsume talks about news, food, video games, family things, oily keyboards, loose wool sweaters when we’re at the Shanghai. I talk about cute pets, the weather, school events, hot coffee, the breeze underneath your skirt on a spring day, and white teeth.
Say we’re talking about The Wind-Up Bird Chronicle because Yuuko recommended it to us and it’s relevant to our discussion (it usually is, somehow, with contemporary stuff) and we’re on a tangent. After a while, the words will only slowly trickle out of Natsume’s mouth, and her eyes start to look like they belong to a child’s who’s been taken to the aquarium way too many times. They start to drift and aimlessly follow the fish. Repeated NHK broadcasts of an apologetic Shinzo Abe unexplainably turn into mackerel, anti-whaling debates become tuna, and Natsume starts to yawn and blink a little more. You can tell she’s getting tired of lobbing the conversational tennis ball back and forth.
But, somewhere in that heavily metaphorical aquarium, past the glass pane and the (regularly, chemically maintained) deep blue, Natsume looks for a jellyfish floating adrift, an oddity sunk into the spectacular monotony of everyday life just outside of plain sight. To make the conversation worthwhile before switching topics, as we eventually do.
We talk about the weather and coffee again for a while.
“Do you think the sun’s supposed to shine this much?”
“No,” I reply, mouth full of bread and lettuce. She sips her coffee and stares pensively out the window, and, after a while, as if responding to a sudden thought, remembers to eat again.
When Natsume eats sushi, she takes long, bored, pleasant bites, munching into calm oblivion the delicate squishiness that comes with rice and seaweed. I’ll be nodding, blinking, breathing, familiarizing myself with my straw and the sheen of condensation on my fingertips from the plastic cup until, inevitably, I’m out of mango shake, and the straw returns nothing but the faint taste of vapory residue. I look down to check the cup, and indeed, it’s empty.
Inevitable it may be, it takes me by surprise each time. The cup in my hands is now weightless; Natsume keeps talking about oily keyboards.
So then we’ve come full circle. What was once sweet, orange, mellow, and crisp is now empty from my life (although sitting contently in my stomach). So, tomorrow, I think about buying another mango shake. Tomorrow after class, is what I say to myself on the way back home, a few times over underneath some passing branches, which I learned belonged to some zelkova trees.
**
The next day, I buy a mango shake. Like I said I would. And the next day, and the next day, and so on.
On one of those days, during the lunch hour, I hang around (nearby, more accurately) a group of students in Mutou’s room, a place of casual, sparse, friendly conversation. Many public places are filled with oddities like sunshine and eavesdropping, and Mutou’s room is no exception. There’s sunlight making its way through the window and enough exam review discourse to irk any solitary librarian. The theme of browns and khakis also encourages some sort of soft cooperation, as if warning us not to stick out and take up too much space, to blend into the scene like sugar into coffee.
My first draw of my mango shake is icy and clear, a sharp and sour rush chilling my tongue to its fleshy (muscle-y?), slick core. The second draw is more or less divine, like the moment of indescribable blankness between consciousness and sleep that seems to escape the power of human recollection itself (evidently, I’m bad at keeping dream journals).
Natsume sits next to me in a makeshift circle of desks. The homework on her desk stares at the ceiling, unfinished, but it’s not due for another few days. She's on her phone, tapping away at a game of some sort, distracting herself for the time being. Other classmates occupy the desks afar, some of them sitting on top, swaying their legs underneath like swings; Mutou doesn’t notice for a while, but eventually tells them to get off. Not because he cares, but because someone that cares might walk into the room.
...No one ever does. All the same, we have sandwiches and bento boxes, and now Natsume is texting Hanako, and maybe my legs are crossed so no one looks up my skirt, and my hands are delightfully cold. It's one day of many, similar to the ones past and so on and so on.
When I run out of mango shake, I throw away my cup in a nearby trash bin, and pick up my belongings. Natsume gives me an acknowledging kind of nod as I wave goodbye, heading to the library to meet Hanako, which has been something just short of a ritual since her admission to the Newspaper club a few weeks back. When I find her, she’s in her usual corner, resting on a bean bag, reading a book. She has a bottle of water hidden behind her, and a cellphone on her lap turned off (a gift from a classmate, she’s said). I take my place beside her and relax.
She’s reading Natsume Soseki today, a far shot from last week’s Oscar Wilde. Minutes pass, and after sitting with her through a few pages, I tell her how much better she’s gotten at handling our editing software, and we share the few details that we can from our day, making small talk in the same manner one might dip their toes into a pool.
“You really like reading, don't you?” I ask.
She nods, eyes peeking from the top of a book. And that's good enough for me.
**
Before leaving for class, she offers to join me on the walk back, and in the middle of the hallway I feel like hugging her, but I don’t, and instead let the moment suffice.
**
Today, there was a woman on the bus stop who didn’t have enough for the fare and couldn’t get on. She’d been putting coins into the bus’ built-in machine one by one, feeding it calmly as though she were tearing small bits of bread for a starving duckling at a public pond, soon afterwards realizing she didn’t have enough yen.
Before you ask, yes, I had a mango shake. It was sweating in my hands, half-finished and a straw sticking out like an IV needle.
She was maybe in her late twenties or early thirties, an ebony barrette with some number of tiny jades of an almost somber luster (imagine a Buddha statue, but an even softer shade of green) tethered to her hair. She wore a simple white polo and faded jeans, and casual black flats that looked like they’d visited the district often, a familiar dust clinging to them. Her purse hung from her shoulder, from which she was pulling coins from until she couldn’t anymore.
I couldn’t a good look at her face since there was a group of businessmen standing in front of me, but I imagine it was at least flustered or embarrassed. The kind of face you’d make if suddenly everyone knew what kind of underwear you wore. If any.
On running out of coins, she softly apologized and, much to the pity of the bus driver, walked off the bus and along the sidewalk until she disappeared. When we reached the front of the school, I got off, called Natsume and told her about the incident, since I had nothing better to do. Phone in one hand, shake in the other.
“I have full sympathy for her,” she said. I could hear her just getting out of bed, at five in the afternoon, bedsheets shifting like reams of newspaper. A beautiful time to wake up on the weekend.
“I was actually gonna help her out,” I told her, “but something made me not want to. I think it would've been too much hassle to fish out my spare coins and give them to her, having to squeeze through all those businessmen. And I was still holding my shake, too.”
At the front of the girl’s dormitories, I pushed the door open with my hips, headed for the stairs. Save for some music creeping out from underneath a few doors, I was alone in the hallway, taking my time across the checkered floor, surrounded by the school’s profuse love for khaki-colored walls.
“It's not your fault, then,” Natsume said. “Your hands were full, and people were in the way. Don't worry about it.”
“If you say so.”
“Mm.” That meant the topic was over and done with. So I stopped worrying. “By the way, wanna visit the ramen shop tonight? I'm inviting Hanako if you decide to come.”
I shrugged. It was something to do.
“Sure. I've got some homework to take care of before we leave, though.”
“We can work on it together.”
“As always.”
I hung up, opened the door to my room, was subsequently hit by a tidal wave of cold air and familiar scents. I took a few seconds to adjust, to feel relieved about being back home, breathing in slowly the chilly stale air like a fisherman at sea after so many years ashore, the woman at the bus stop completely forgotten.
**
Naomi Inoue and the Meaning of Mango Shakes: p1
The Death of Rin Tezuka
**
Naomi Inoue and the Meaning of Mango Shakes
Part One:
Sweet, orange, mellow, and crisp. Light and playful. Chilly through a straw and jackets for blankets, in that kind of weather where dead leaves only look so beautiful. We walk, talk - we sit on park benches and reminisce. The movie set without the camera angle, the scene without a script.
Sometimes, I’ll be watching the ground underneath me pass by, as a sort of game to play on the way to the district. How many steps do I take before the next panel of cement appears, I’ll ask myself, making long and short strides while staring somewhere into the infinite space between me and the sidewalk. My eyes won’t move, fixated on nothing in particular, while I walk to, through, and wherever else in the district. Occasionally, I’ll answer my phone if someone calls, if I brought it with me. Hanako texts every now and then. I text Natsume.
It’s a long walk. Sometimes, I have lots of time. Sometimes, I don’t.
I’ll find myself inside of a restaurant, probably the Shanghai. I’m usually with Natsume when I’m there, given that we’re really hardly ever outside of each other’s sight. Natsume talks about news, food, video games, family things, oily keyboards, loose wool sweaters when we’re at the Shanghai. I talk about cute pets, the weather, school events, hot coffee, the breeze underneath your skirt on a spring day, and white teeth.
Say we’re talking about The Wind-Up Bird Chronicle because Yuuko recommended it to us and it’s relevant to our discussion (it usually is, somehow, with contemporary stuff) and we’re on a tangent. After a while, the words will only slowly trickle out of Natsume’s mouth, and her eyes start to look like they belong to a child’s who’s been taken to the aquarium way too many times. They start to drift and aimlessly follow the fish. Repeated NHK broadcasts of an apologetic Shinzo Abe unexplainably turn into mackerel, anti-whaling debates become tuna, and Natsume starts to yawn and blink a little more. You can tell she’s getting tired of lobbing the conversational tennis ball back and forth.
But, somewhere in that heavily metaphorical aquarium, past the glass pane and the (regularly, chemically maintained) deep blue, Natsume looks for a jellyfish floating adrift, an oddity sunk into the spectacular monotony of everyday life just outside of plain sight. To make the conversation worthwhile before switching topics, as we eventually do.
We talk about the weather and coffee again for a while.
“Do you think the sun’s supposed to shine this much?”
“No,” I reply, mouth full of bread and lettuce. She sips her coffee and stares pensively out the window, and, after a while, as if responding to a sudden thought, remembers to eat again.
When Natsume eats sushi, she takes long, bored, pleasant bites, munching into calm oblivion the delicate squishiness that comes with rice and seaweed. I’ll be nodding, blinking, breathing, familiarizing myself with my straw and the sheen of condensation on my fingertips from the plastic cup until, inevitably, I’m out of mango shake, and the straw returns nothing but the faint taste of vapory residue. I look down to check the cup, and indeed, it’s empty.
Inevitable it may be, it takes me by surprise each time. The cup in my hands is now weightless; Natsume keeps talking about oily keyboards.
So then we’ve come full circle. What was once sweet, orange, mellow, and crisp is now empty from my life (although sitting contently in my stomach). So, tomorrow, I think about buying another mango shake. Tomorrow after class, is what I say to myself on the way back home, a few times over underneath some passing branches, which I learned belonged to some zelkova trees.
**
The next day, I buy a mango shake. Like I said I would. And the next day, and the next day, and so on.
On one of those days, during the lunch hour, I hang around (nearby, more accurately) a group of students in Mutou’s room, a place of casual, sparse, friendly conversation. Many public places are filled with oddities like sunshine and eavesdropping, and Mutou’s room is no exception. There’s sunlight making its way through the window and enough exam review discourse to irk any solitary librarian. The theme of browns and khakis also encourages some sort of soft cooperation, as if warning us not to stick out and take up too much space, to blend into the scene like sugar into coffee.
My first draw of my mango shake is icy and clear, a sharp and sour rush chilling my tongue to its fleshy (muscle-y?), slick core. The second draw is more or less divine, like the moment of indescribable blankness between consciousness and sleep that seems to escape the power of human recollection itself (evidently, I’m bad at keeping dream journals).
Natsume sits next to me in a makeshift circle of desks. The homework on her desk stares at the ceiling, unfinished, but it’s not due for another few days. She's on her phone, tapping away at a game of some sort, distracting herself for the time being. Other classmates occupy the desks afar, some of them sitting on top, swaying their legs underneath like swings; Mutou doesn’t notice for a while, but eventually tells them to get off. Not because he cares, but because someone that cares might walk into the room.
...No one ever does. All the same, we have sandwiches and bento boxes, and now Natsume is texting Hanako, and maybe my legs are crossed so no one looks up my skirt, and my hands are delightfully cold. It's one day of many, similar to the ones past and so on and so on.
When I run out of mango shake, I throw away my cup in a nearby trash bin, and pick up my belongings. Natsume gives me an acknowledging kind of nod as I wave goodbye, heading to the library to meet Hanako, which has been something just short of a ritual since her admission to the Newspaper club a few weeks back. When I find her, she’s in her usual corner, resting on a bean bag, reading a book. She has a bottle of water hidden behind her, and a cellphone on her lap turned off (a gift from a classmate, she’s said). I take my place beside her and relax.
She’s reading Natsume Soseki today, a far shot from last week’s Oscar Wilde. Minutes pass, and after sitting with her through a few pages, I tell her how much better she’s gotten at handling our editing software, and we share the few details that we can from our day, making small talk in the same manner one might dip their toes into a pool.
“You really like reading, don't you?” I ask.
She nods, eyes peeking from the top of a book. And that's good enough for me.
**
Before leaving for class, she offers to join me on the walk back, and in the middle of the hallway I feel like hugging her, but I don’t, and instead let the moment suffice.
**
Today, there was a woman on the bus stop who didn’t have enough for the fare and couldn’t get on. She’d been putting coins into the bus’ built-in machine one by one, feeding it calmly as though she were tearing small bits of bread for a starving duckling at a public pond, soon afterwards realizing she didn’t have enough yen.
Before you ask, yes, I had a mango shake. It was sweating in my hands, half-finished and a straw sticking out like an IV needle.
She was maybe in her late twenties or early thirties, an ebony barrette with some number of tiny jades of an almost somber luster (imagine a Buddha statue, but an even softer shade of green) tethered to her hair. She wore a simple white polo and faded jeans, and casual black flats that looked like they’d visited the district often, a familiar dust clinging to them. Her purse hung from her shoulder, from which she was pulling coins from until she couldn’t anymore.
I couldn’t a good look at her face since there was a group of businessmen standing in front of me, but I imagine it was at least flustered or embarrassed. The kind of face you’d make if suddenly everyone knew what kind of underwear you wore. If any.
On running out of coins, she softly apologized and, much to the pity of the bus driver, walked off the bus and along the sidewalk until she disappeared. When we reached the front of the school, I got off, called Natsume and told her about the incident, since I had nothing better to do. Phone in one hand, shake in the other.
“I have full sympathy for her,” she said. I could hear her just getting out of bed, at five in the afternoon, bedsheets shifting like reams of newspaper. A beautiful time to wake up on the weekend.
“I was actually gonna help her out,” I told her, “but something made me not want to. I think it would've been too much hassle to fish out my spare coins and give them to her, having to squeeze through all those businessmen. And I was still holding my shake, too.”
At the front of the girl’s dormitories, I pushed the door open with my hips, headed for the stairs. Save for some music creeping out from underneath a few doors, I was alone in the hallway, taking my time across the checkered floor, surrounded by the school’s profuse love for khaki-colored walls.
“It's not your fault, then,” Natsume said. “Your hands were full, and people were in the way. Don't worry about it.”
“If you say so.”
“Mm.” That meant the topic was over and done with. So I stopped worrying. “By the way, wanna visit the ramen shop tonight? I'm inviting Hanako if you decide to come.”
I shrugged. It was something to do.
“Sure. I've got some homework to take care of before we leave, though.”
“We can work on it together.”
“As always.”
I hung up, opened the door to my room, was subsequently hit by a tidal wave of cold air and familiar scents. I took a few seconds to adjust, to feel relieved about being back home, breathing in slowly the chilly stale air like a fisherman at sea after so many years ashore, the woman at the bus stop completely forgotten.
**