Re: Emi Epilogue - Stopping Short (UPDATED 4/8/2015: CHAPTER
Posted: Mon Apr 13, 2015 3:21 pm
So is the dress blue and black, or gold and white?
(Where's the Walkthrough?)
https://ks.fhs.sh/
In my opinion if you are writing for an audience you should make yourself as clear as possible, even if that means trying to change your own habits. But at the end of the day it is your story and your interpretation of the characters so you have complete freedom in that regard.scratchminus wrote:So, um, I assume no one will assault me if I happily return to referring to Emi's hair as "pink?" Because I'll probably end up doing it subconsciously anyway.
Only in daylight, especially when the light's behind her. At night it's brown, especially under fluorescent light.scratchminus wrote:So, um, I assume no one will assault me if I happily return to referring to Emi's hair as "pink?" Because I'll probably end up doing it subconsciously anyway.
The first ending or the second ending? Both were quite pleasant, neatly written, very in tune with the KS vibe.azumeow wrote:That was nice. A little....unexpected, but nice. Reminds me of the Kenji end, in that your choices actually have little to do with the outcome, just the fact that they put you in position for that outcome.
The one where Hisao dies.brythain wrote: The first ending or the second ending? Both were quite pleasant, neatly written, very in tune with the KS vibe.
Yeah, that's kinda what I was going for. The world essentially stays the same in both endings, but the "choice" alters Hisao's placement enough to cause different events. Glad you liked it, though!azumeow wrote:That was nice. A little....unexpected, but nice. Reminds me of the Kenji end, in that your choices actually have little to do with the outcome, just the fact that they put you in position for that outcome.
Thank you, brythain! I was afraid that writing it over such a long period of time would make the writing more scatterbrained and awkward, but I suppose it worked out.brythain wrote:Both were quite pleasant, neatly written, very in tune with the KS vibe.
I did really enjoy making the "self-conversation", despite how silly it seems in hindsight.Mirage_GSM wrote:Well...
That "self-conversation" certainly was like no other I've ever read about ^^°
The "accident" in the first ending was a bit too much to believe. A boy full on tackles a girl out of the way of a speeding sports car (one that was liberally using its horn at that), and that biker didn't notice any of that and still runs over Hisao at full speed?
"Hard to blame that guy" and "not his fault" my a**
That said this end was completely random just like the shark ending in Tsukihime - and I hate endings like that. I hate them in "normal" stories, but I especially hate them in stories where you are given the illusion of choice before that, because it is basically one giant "f**k you"
to the reader.
The real ending was better. I was a bit disappointed that the problem turned out to be a rehash of the one already more or less solved in the actual VN, but the resolution was okay.
So if you expect your readers to be underwhelmed with the first branch from the get go; that they have to read the second one as a pick-me-up - why write it in the first place?However, I don't really think it's too much of a "f*** you" in the case of a story with two endings, as all you have to do afterwards is choose the different decision and read the good ending.
Okay, now I get what you meant by that. I think I was misinterpreting what you said at first, but that makes more sense now.Mirage_GSM wrote:Because the reasoning that leads to the first choice is a sound one. It's not even hinted at in the story that it is in any way wrong.
It just alters his "placement" such that an almost Rube-Goldberg-like chain of events* sets in that leads to his death - and that's what I meant by a "f*** you" to the reader.
Depends on the genre: 'slice of life' tends to not be so fantastical (or 'phantastic' to use a very old word) unless it involves magic realism. The writing itself is fine. My response after reading the two cycles (ha ha) was to laugh, shake my head, and think 'shit happens'. The point I suppose was that it didn't really matter what Hisao's intentions or thoughts or actions with regard to Emi were—it would be just bad timing that did him in. That's not satisfying where human relations are concerned, although it works in comedic situations and it may even be a reflection on how life can actually be.scratchminus wrote:Also, just to touch on suspension of disbelief, I think the reason I have an issue with that is because my suspension of disbelief can be stretched incredibly far. I generally won't question something in stories, video games, or movies if it's interesting and/or entertaining as a whole. It's probably for this reason that I tend to lean into more fantastical territory when writing stories, since in my mind it doesn't matter too much that it's not believable.
That's just something I'll have to work on as a novice writer, so hopefully I can get it under control.