Re: The First Week –A Soon-hee Story (Updated 8/07)
Posted: Fri Aug 07, 2015 10:32 am
Music links will be at the end of the chapter due to complaints launched through my window via brick.
Usually it’s ticked off political groups who do that. I guess my fame as a columnist has vanished in the night, like some elusive hero or a purple martin.
Although they tend to come out at twilight…
…Anyway….
Previous Chapter
Chapter Eleven: Requiem of a Dream
The first thing I hear when I enter the dormitory building is music. Specifically, it sounds like someone is playing a piano, or maybe…
A keyboard? Was that what was in that case?
Easy enough to find out, at least. I follow the sound to the common room. The music get’s louder as I get closer, so it seems my initial guess was correct, on both counts. Standing in the threshold, I’m able to see I was right.
The only occupant in the room is Setsuko, who is sitting at a portable folding bench in front of what I can only presume is her keyboard, which I again presume is what was in the case I hauled down here yesterday. The case itself is tucked along the wall, and Setsuko’s polished wooden cane is resting against the bench.
Setsuko seems to be playing completely from memory, as her eyes are barely open and her fingers practically glide of their own accord across the board.
I’m not familiar with the song she’s playing, and it has a slow, haunting tone to it that sends shivers down my spine. Despite this, I cannot deny it’s beauty, nor the grace and poise of the pianist as she throws her whole body into her playing. She’s obviously enjoying herself, even if the music itself is on the melancholic side.
The joy in sorrow, I guess.
The piece goes on for several minutes, so she must have started recently, or it’s longer than it seems. When she’s done, she places her hands in her lap and sighs, smiling wistfully at the keyboard.
I can’t help but lightly applaud her efforts. I’m not much of a music person myself, but I can tell talent when I can see it.
Setsuko turns toward the threshold, looking a bit dazed. After blinking a few times, she grins and waves at me.
“Howdy, Sonny!” she calls, “Didn’t see you there.”
“Sorry,” I say, “I heard you playing when I came in, and I couldn’t help but listen.”
Setsuko beams at me, “Thanks. You got any requests? I’ve been down here for a little while, but ah think ah got one more in me for today.”
…I’m not sure what to say to that.
A suggestion might be nice.
…I can’t deny I want to hear her play again, or even see her play, but my knowledge of songs is extremely limited, though I’m somewhat fond of classical European music.
She probably knows that stuff, at least.
I don’t feel like putting her through that much trouble though, so I just say, “Well, do you know anything… more upbeat?”
Setsuko grins, “Sure. Hmm…,” she taps her chin thoughtfully, “you like foreign literature, so… ah! Ah got it!”
With that, Setsuko throws herself into her final piece.
Well that’s… different.
Well, I asked for happier sounding, and her choice seems to work. Setsuko sings the lyrics, too, and while her English may not be as good as mine, it’s not bad. She doesn’t have that weird accent when she sings, oddly enough.
I’m so enthralled with her performance I don’t notice Maiya roll up next to me until she’s in my peripheral vision. The fact that I don’t jump at her sudden arrival is another testament to Setsuko’s skill.
Maiya gives me a brief nod before focusing her attention on Setsuko, who gives no reaction to the arrival of the other girl. Glancing over at my fellow second-year briefly, I notice a violin case in a basket attached to the back of her chair.
I wonder if all the clubs take things so seriously here.
When Setsuko finishes the song we both applaud. Setsuko grins at me briefly before raising an eyebrow at Maiya.
“Hello, Maiya,” she says in her accent free voice.
“Hey, Sempai,” Maiya returns, “I’m glad you’re still playing. Are you taking requests?”
“Unfortunately, I have homework to tend to. Perhaps another time?”
Maiya sighs and nods, “Sure. Until then, Sempai.”
After backing up a bit to give her room to turn, Maiya rolls off down the hall. While she leaves, Setsuko grabs her cane and hefts herself up.
“Nice to see she ain’t takin’ me leavin’ the club too hard,” Setsuko drawls.
What the hell is that accent?
I must’ve made an odd expression while Setsuko walked over to me, because when we’re a pace apart she stops, raises an eyebrow, and leans on her left leg.
“Somethin’ wrong, Sonny?”
If I don’t ask, it’s going to drive me nuts every time she switches between them. Then again, it’s not my place and not my business, so I need to just leave it alone.
I shoulda known things wouldn’t be simple here.
Fortunately, Setsuko saves me from my conflicted mind as she grins and asks, “It’s the accent, ain’t it?”
I sigh and nod, “Sorry. It just throws me off a bit whenever you switch into it.”
Setsuko nods, “Maiko had trouble with it at first, too. My family is from the outskirts of Kobe, but my Dad got transferred to Sendai several years ago. He said we needed to ditch the accent to be taken seriously ‘round here, so we all –me, him, my Mom, and my older brother- all took lessons to mask our accents. Which is why I can switch between ‘em so easily.”
That explains that, I guess. Though I have no idea why she chose to let her guard down around me.
“Oh,” I say.
Setsuko chuckles at my response. I guess I’m not the first to react like that.
We stand awkwardly across from each other for a moment before I figure out I’m sort of blocking the doorway.
“Thanks for the song, Setsuko,” I say, and turn to head up to my room.
“See yah, Sonny,” Setsuko returns.
As I head up the stairs I see her heading for the elevator.
At least I can get along with my hallmates reasonably well.
I get back to my room and start on my homework. I tackle my math homework first before taking a quick break and starting on my Japanese work. By ‘break’ I mean some push-ups and a box of Pocky sticks. Nurse’s advice to take it easy has merit, but with my first club meeting tomorrow I need to get back into my training routine.
Hopefully I’ll be able to use some equipment soon.
I miss kicking. Anyway, homework.
The science homework is tedious but easy once you know how to properly use the textbook for reference. I learned very quickly that in pretty much every subject, the glossary and index are your friends.
I do some more push-ups before finishing the rest of my homework, which compared to the previous three classes is really easy. Still, it’s a bit later than I’m used to for dinner, so I’m eager to go downstairs and grab a casserole. Or maybe two, since my stomach settled.
I’m still sitting at my desk when someone knocks at my door. Once I settle down, I pause a moment to consider the knock. It was less rapid and insistent than Maiko’s, so maybe it’s Setsuko.
If she wants to order more Chinese she’s on her own.
When I open my door a crack, however, it’s not Setsuko. The girl on the other side of the door is slightly taller than me –big surprise, I know- with shoulder length black hair and light brown eyes. She’s stiller wearing her uniform, one of the long skirt variations, and around her neck is a simple silver crucifix.
Probably just decoration.
When the girl realizes I’m not going to open the door any wider for the moment, she bows lightly and says, “Hello. You’re Soon-hee Kim, correct?”
I nod. Okay, this is rude even for me. I open the door enough that we can see each other fully. Besides, I think I have an idea who she might be; presuming the conversation Setsuko and Maiko had last night is any indication, at least.
“Yes,” I say. Returning her bow, I vocalize my hunch and ask, “Are you Aya Nakajima-Sempai?”
She smiles lightly and nods, “Yes. I wanted to introduce myself in person, as I imagine Setsuko mentioned me when you first met.”
I nod. Setsuko seems the type to keep well informed, both as a senior class rep and as someone who seems to enjoy getting people together to meet and talk.
“Well,” Nakajima-Sempai resumes talking, “I was also concerned that others in the hall might have given you a poor impression of me. To that end, I want you to know that I am not the originator of the rumors regarding you that emanated from the Occult Club.”
I blink at her for a few moments, remembering Maiko’s digs at the occult club and a little nonplussed by her overly formal word choice.
When my brain catches up with what she’s said, my response is a somewhat non-sequiturial, “You’re… in the occult club?”
Nakajima smiles lightly and nods, “Indeed. I hope we can still get along despite what Nagita,” a scowl plays across her lips as she mentions the second-year, “and Setsuko may have said about me.”
Bowing once again, the girl takes a step back and retreats down the hall. I absently watch her open her own door and close it before doing the same with my own.
Having no real response to what just happened, my stomach takes over and I head down to the kitchen on autopilot. As I descend the stairs, the dark edges of my mind start whispering to me. I know that sounds really poetic and creepy, but it’s really just creepy. Something Setsuko had said the day before comes back to me, and as her words work their way back to the forefront of my mind, an unsettling thought takes form:
Did I just speak with someone who is condemned to an early death, and knows it?
God hath numbered thy kingdom, and finished it.
+++
Next Chapter
Death comes for us all, for it is the true equalizer of humanity.
Sorry, got a little maudlin on you there. Music links:
Requiem for a Dream piano cover
Crocodile Rock by Elton John
Usually it’s ticked off political groups who do that. I guess my fame as a columnist has vanished in the night, like some elusive hero or a purple martin.
Although they tend to come out at twilight…
…Anyway….
Previous Chapter
Chapter Eleven: Requiem of a Dream
The first thing I hear when I enter the dormitory building is music. Specifically, it sounds like someone is playing a piano, or maybe…
A keyboard? Was that what was in that case?
Easy enough to find out, at least. I follow the sound to the common room. The music get’s louder as I get closer, so it seems my initial guess was correct, on both counts. Standing in the threshold, I’m able to see I was right.
The only occupant in the room is Setsuko, who is sitting at a portable folding bench in front of what I can only presume is her keyboard, which I again presume is what was in the case I hauled down here yesterday. The case itself is tucked along the wall, and Setsuko’s polished wooden cane is resting against the bench.
Setsuko seems to be playing completely from memory, as her eyes are barely open and her fingers practically glide of their own accord across the board.
I’m not familiar with the song she’s playing, and it has a slow, haunting tone to it that sends shivers down my spine. Despite this, I cannot deny it’s beauty, nor the grace and poise of the pianist as she throws her whole body into her playing. She’s obviously enjoying herself, even if the music itself is on the melancholic side.
The joy in sorrow, I guess.
The piece goes on for several minutes, so she must have started recently, or it’s longer than it seems. When she’s done, she places her hands in her lap and sighs, smiling wistfully at the keyboard.
I can’t help but lightly applaud her efforts. I’m not much of a music person myself, but I can tell talent when I can see it.
Setsuko turns toward the threshold, looking a bit dazed. After blinking a few times, she grins and waves at me.
“Howdy, Sonny!” she calls, “Didn’t see you there.”
“Sorry,” I say, “I heard you playing when I came in, and I couldn’t help but listen.”
Setsuko beams at me, “Thanks. You got any requests? I’ve been down here for a little while, but ah think ah got one more in me for today.”
…I’m not sure what to say to that.
A suggestion might be nice.
…I can’t deny I want to hear her play again, or even see her play, but my knowledge of songs is extremely limited, though I’m somewhat fond of classical European music.
She probably knows that stuff, at least.
I don’t feel like putting her through that much trouble though, so I just say, “Well, do you know anything… more upbeat?”
Setsuko grins, “Sure. Hmm…,” she taps her chin thoughtfully, “you like foreign literature, so… ah! Ah got it!”
With that, Setsuko throws herself into her final piece.
Well that’s… different.
Well, I asked for happier sounding, and her choice seems to work. Setsuko sings the lyrics, too, and while her English may not be as good as mine, it’s not bad. She doesn’t have that weird accent when she sings, oddly enough.
I’m so enthralled with her performance I don’t notice Maiya roll up next to me until she’s in my peripheral vision. The fact that I don’t jump at her sudden arrival is another testament to Setsuko’s skill.
Maiya gives me a brief nod before focusing her attention on Setsuko, who gives no reaction to the arrival of the other girl. Glancing over at my fellow second-year briefly, I notice a violin case in a basket attached to the back of her chair.
I wonder if all the clubs take things so seriously here.
When Setsuko finishes the song we both applaud. Setsuko grins at me briefly before raising an eyebrow at Maiya.
“Hello, Maiya,” she says in her accent free voice.
“Hey, Sempai,” Maiya returns, “I’m glad you’re still playing. Are you taking requests?”
“Unfortunately, I have homework to tend to. Perhaps another time?”
Maiya sighs and nods, “Sure. Until then, Sempai.”
After backing up a bit to give her room to turn, Maiya rolls off down the hall. While she leaves, Setsuko grabs her cane and hefts herself up.
“Nice to see she ain’t takin’ me leavin’ the club too hard,” Setsuko drawls.
What the hell is that accent?
I must’ve made an odd expression while Setsuko walked over to me, because when we’re a pace apart she stops, raises an eyebrow, and leans on her left leg.
“Somethin’ wrong, Sonny?”
If I don’t ask, it’s going to drive me nuts every time she switches between them. Then again, it’s not my place and not my business, so I need to just leave it alone.
I shoulda known things wouldn’t be simple here.
Fortunately, Setsuko saves me from my conflicted mind as she grins and asks, “It’s the accent, ain’t it?”
I sigh and nod, “Sorry. It just throws me off a bit whenever you switch into it.”
Setsuko nods, “Maiko had trouble with it at first, too. My family is from the outskirts of Kobe, but my Dad got transferred to Sendai several years ago. He said we needed to ditch the accent to be taken seriously ‘round here, so we all –me, him, my Mom, and my older brother- all took lessons to mask our accents. Which is why I can switch between ‘em so easily.”
That explains that, I guess. Though I have no idea why she chose to let her guard down around me.
“Oh,” I say.
Setsuko chuckles at my response. I guess I’m not the first to react like that.
We stand awkwardly across from each other for a moment before I figure out I’m sort of blocking the doorway.
“Thanks for the song, Setsuko,” I say, and turn to head up to my room.
“See yah, Sonny,” Setsuko returns.
As I head up the stairs I see her heading for the elevator.
At least I can get along with my hallmates reasonably well.
I get back to my room and start on my homework. I tackle my math homework first before taking a quick break and starting on my Japanese work. By ‘break’ I mean some push-ups and a box of Pocky sticks. Nurse’s advice to take it easy has merit, but with my first club meeting tomorrow I need to get back into my training routine.
Hopefully I’ll be able to use some equipment soon.
I miss kicking. Anyway, homework.
The science homework is tedious but easy once you know how to properly use the textbook for reference. I learned very quickly that in pretty much every subject, the glossary and index are your friends.
I do some more push-ups before finishing the rest of my homework, which compared to the previous three classes is really easy. Still, it’s a bit later than I’m used to for dinner, so I’m eager to go downstairs and grab a casserole. Or maybe two, since my stomach settled.
I’m still sitting at my desk when someone knocks at my door. Once I settle down, I pause a moment to consider the knock. It was less rapid and insistent than Maiko’s, so maybe it’s Setsuko.
If she wants to order more Chinese she’s on her own.
When I open my door a crack, however, it’s not Setsuko. The girl on the other side of the door is slightly taller than me –big surprise, I know- with shoulder length black hair and light brown eyes. She’s stiller wearing her uniform, one of the long skirt variations, and around her neck is a simple silver crucifix.
Probably just decoration.
When the girl realizes I’m not going to open the door any wider for the moment, she bows lightly and says, “Hello. You’re Soon-hee Kim, correct?”
I nod. Okay, this is rude even for me. I open the door enough that we can see each other fully. Besides, I think I have an idea who she might be; presuming the conversation Setsuko and Maiko had last night is any indication, at least.
“Yes,” I say. Returning her bow, I vocalize my hunch and ask, “Are you Aya Nakajima-Sempai?”
She smiles lightly and nods, “Yes. I wanted to introduce myself in person, as I imagine Setsuko mentioned me when you first met.”
I nod. Setsuko seems the type to keep well informed, both as a senior class rep and as someone who seems to enjoy getting people together to meet and talk.
“Well,” Nakajima-Sempai resumes talking, “I was also concerned that others in the hall might have given you a poor impression of me. To that end, I want you to know that I am not the originator of the rumors regarding you that emanated from the Occult Club.”
I blink at her for a few moments, remembering Maiko’s digs at the occult club and a little nonplussed by her overly formal word choice.
When my brain catches up with what she’s said, my response is a somewhat non-sequiturial, “You’re… in the occult club?”
Nakajima smiles lightly and nods, “Indeed. I hope we can still get along despite what Nagita,” a scowl plays across her lips as she mentions the second-year, “and Setsuko may have said about me.”
Bowing once again, the girl takes a step back and retreats down the hall. I absently watch her open her own door and close it before doing the same with my own.
Having no real response to what just happened, my stomach takes over and I head down to the kitchen on autopilot. As I descend the stairs, the dark edges of my mind start whispering to me. I know that sounds really poetic and creepy, but it’s really just creepy. Something Setsuko had said the day before comes back to me, and as her words work their way back to the forefront of my mind, an unsettling thought takes form:
Did I just speak with someone who is condemned to an early death, and knows it?
God hath numbered thy kingdom, and finished it.
+++
Next Chapter
Death comes for us all, for it is the true equalizer of humanity.
Sorry, got a little maudlin on you there. Music links:
Requiem for a Dream piano cover
Crocodile Rock by Elton John