Katawa Shoujo Forums

Can you make an Android app which lets you set a running routine and alarms for when you have to go for a run. You get pictures of Emi with quotes to encourage you and if you miss a run you get her pouting face. I think you should do it.

Also, are there any Hi-res wallpapers of Emi floating about with some of the quotes she used to get Hisao to run harder and such?

Obligatory praise first:
Music and art are really good (though I personally think that's self-evident). I've heard several people call the writing among the best as far as video games go (even if that's not a particularly fair comparison), so that's something, too. I also think that the direction deserves a lot of praise. You could have gotten away with the bare minimum, but ended up with best direction in any VN I've played so far (not that I'm VN_expert, 5000+ VNs played, but yeah).

1. What did you like most about the development of KS; what did you dislike? Like, say, a sense of community or the knowledge that your work would reach a large audience?

2. Is there a specific reason that Shizune's route is so much longer than the others in-universe or did that just kind of happen?

3. Did you plan/write the routes with a certain effect in mind (e.g. deconstruction, make people think) or did you "just" aim to tell a good story?

4. On a scale from 1 (not at all) to 10 (I want to bury myself) how awkward was the communication about the sex scenes with your "army of teenage girl artists"?

5. It seems like the writers were rather inexperienced before KS. Did you deliberately practice writing to make up for that or was your improvement a natural development over the years?

6. This one's for Aura. As someone who can't stand writing in his first language I'm curious: Were you completely fluent before you started working on KS? Did you notice significant improvement over the course of the development? Did you have other writers/editors check if your writing sounds somehow off? (The last one makes me personally kind of paranoid when I write.)

7. You made it quite clear that you won't make any fan disks or stuff like that. Would you consider supplemental material that's less work, like short flash animations or a short comic page (or yonkoma or whatever)? You know, something that won't take years. Though now that I read it it sounds kinda stupid. Nevermind then.

Also, thanks for being awesome, making KS and sacrificing your time to answer our questions (though I guess it doesn't exactly hurt your egos).

Aura wrote:

kourousx wrote:So, were there any discussions or efforts directed getting the artists' styles to mesh? (I'm guessing that doing that is extremely difficult)

Yes. (Yes.)

To expand on this a little, the artists all liked Amaduyu Tatsuki's works, and when discussing art style to use for KS her art was generally used as a baseline reference. The consistency isn't perfect by any means, but having that tether for the art helped the artists keep as consistent with each other as they could.

Guest wrote:Obligatory praise first:
Music and art are really good (though I personally think that's self-evident). I've heard several people call the writing among the best as far as video games go (even if that's not a particularly fair comparison), so that's something, too. I also think that the direction deserves a lot of praise. You could have gotten away with the bare minimum, but ended up with best direction in any VN I've played so far (not that I'm VN_expert, 5000+ VNs played, but yeah).

1. What did you like most about the development of KS; what did you dislike? Like, say, a sense of community or the knowledge that your work would reach a large audience?

2. Is there a specific reason that Shizune's route is so much longer than the others in-universe or did that just kind of happen?

3. Did you plan/write the routes with a certain effect in mind (e.g. deconstruction, make people think) or did you "just" aim to tell a good story?

4. On a scale from 1 (not at all) to 10 (I want to bury myself) how awkward was the communication about the sex scenes with your "army of teenage girl artists"?

5. It seems like the writers were rather inexperienced before KS. Did you deliberately practice writing to make up for that or was your improvement a natural development over the years?

6. This one's for Aura. As someone who can't stand writing in his first language I'm curious: Were you completely fluent before you started working on KS? Did you notice significant improvement over the course of the development? Did you have other writers/editors check if your writing sounds somehow off? (The last one makes me personally kind of paranoid when I write.)

7. You made it quite clear that you won't make any fan disks or stuff like that. Would you consider supplemental material that's less work, like short flash animations or a short comic page (or yonkoma or whatever)? You know, something that won't take years. Though now that I read it it sounds kinda stupid. Nevermind then.

Also, thanks for being awesome, making KS and sacrificing your time to answer our questions (though I guess it doesn't exactly hurt your egos).

1. That's a really hard question. It's late so I can't really write out my full thoughts, but to throw one thing out there, it would be that the act of creation was in and of itself something very enjoyable and something I'd never really felt before. The KS development team (and the guys from the genesis of the project that stuck around) were a fantastic bunch of people, and for someone as deathly shy as me, they drew me out of my shell as the months went on working together. Without the project, I'd probably be a lot more of a recluse. The amount of people that would find the end result was pretty secondary; personally I expected a generally positive reaction to the Act 1 Preview to just come from the usual crowds that would be interested in an English VN (4chan, and maybe a small handful of little forums), and never did I imagine that the game would have this kind of reaction.

2. It's just the way it turned out. Even in the first drafts the path covered the longest amount of time chronologically, but nobody really had a problem with it. Different paths just have different timeframes.

3. Those are both the same thing, really.

4. It varied a lot, depending on scene and on developer. I think there was an inevitable amount of "squick factor" when we started seriously discussing the H-scenes between each other (both between writers, and between writers and artists), but that eventually wore down. Many, many hours were spent talking about different philosophies regarding H-scenes in general, as well as the specific implementations in-game, so to some degree it was just a matter of being required to talk frankly about it. In the end, it actually became pretty normal.

5. Not exactly sure what's meant by 'practising writing'. In terms of writing stuff that's not intended to go in-game just to work on skills, different writers did different things. Everything I wrote during my time in KS was intended to go in-game. I think I might have the most content that was cut too. Maybe Crud. The whole "first draft->second draft->editing->direction" process is incredibly simplified; while L path had two complete drafts, many, many scenes were straight up hatcheted out, entire arcs and subplots cut, etc. I guess the easiest way to put it is that the current status of L path is due to constant iteration; writing the old drafts and scenes that ended up removed was in itself practice.

7. Maybe, but they'd be small if we did do them (and definitely not games or anything). In the end though, the only stuff that's "canon" is what's in the game; any extra stuff a developer does is only as canon as the person reading it wants it to be in their head.

Which scene do you find the most difficult to write?

Also, do you have any particular favorite scene you are most proud of or enjoyed writing?

Sorry, I hope not to be of any annoyrance, but after looking through the previous posts, it happen that there wasnt an answer to these questions here.

However, if this IS annoying, please delete this post (and the previous posts, hence the qoutes I used). I will not bother you with this again since it is just my curiosity that is very much tingling here on this subject. Also the link now redirects to the right youtube video.

Guest wrote:Hello KS-developers, I have a couple of music "specific" questions. But to understand those, you have to listen to two particular youtube videos.

KS music - Afternoon:
Ghetto Boys - Damn it feels good to be a gangsta:

Now the questions:
1. Was this intentional?
2. If yes, does every/most member about the Katawa Shoujo team knows about this?
3. And If you guys know about this, are there more hidden "easter eggs" like this? I am actually laughing hard at this find here.
I do believe this sounds very much alike - yet different in tone and atmosphere, I do suppose it is some kind of easter egg, but VERY hilarious nontheless.

Furthermore I want to thank you for this awesome game, you guys deserve and form of direct and indirect paise, such as reviews and/or people praising it outside this board on other forums. Great game in every aspect!

How do you feel about the fact that the game has been put on the pirate bay and some people actually believe they are being badasses and pirating it?

What are the Devs reaction to this article ?

http://www.rockpapershotgun.com/2012/01 ... wa-shoujo/

Is Molly the only cameo in Hanako's last CG, or are some of the other characters in that one rejected characters/characters from other projects?

cemex wrote:Hey guys, if you all had a chance to push a reset button and start over, how would you change the way the story was told

I would consider the story structure and branching more carefully.

Guest wrote:Which scene do you find the most difficult to write?

Also, do you have any particular favorite scene you are most proud of or enjoyed writing?

The latter half of Rin's Act 2 was pretty challenging. I think my favourite scene is the sad ending scene in Act 4.

Guest wrote:Sorry, I hope not to be of any annoyrance, but after looking through the previous posts, it happen that there wasnt an answer to these questions here.

Etc etc.
Only nicol can answer that, but I hadn't noticed the similarity before.

Guest wrote:How do you feel about the fact that the game has been put on the pirate bay and some people actually believe they are being badasses and pirating it?

No problems with it, though I guess it's a bit silly if really true.

McBaggin wrote:What are the Devs reaction to this article ?

http://www.rockpapershotgun.com/2012/01 ... wa-shoujo/

Plenty of people find the narrative style of most VNs (including KS) too drawn-out and wordy and the minimal interaction boring. Nothing wrong with that, but it's also nothing new. Also he seems to get really defensive at the criticism the comments direct at his opinions, not sure why.

Guest 13th wrote:Is Molly the only cameo in Hanako's last CG, or are some of the other characters in that one rejected characters/characters from other projects?

She's not the only cameo. The boy next to Molly is a character from the same story Molly is from, and the girl in green dress is from a game someone we know was making at the time that was drawn. The girl on the left is not a cameo.