Florentine wrote:
-Funny, cause it seems like we have a different definition for erotica huh? Cause from where I came from, the use of vulgar language degrades it into a cheap porno. Well, different strokes for different folks, I guess
The trick with writing a sex scene is knowing when to be subtle and when to be abrupt. Writing everything in the middle makes it into a boring melange that gets increasingly difficult for the reader to interpret. Something with the primal, visceral nature of sex is going to visit a whole spectrum of rational and irrational moments, in much the same way as a fight scene might progress, and the language you use can emphasize those transitions.
- I was actually, I was a poet first before a writer. Forgive my noobish style of being new. It appears that I enjoyed it too much, huh?
Being noobish is fine. Fanfiction is a realm dominated by people who are either just starting to learn, or have recently switched from a different genre or style. Just don't get cocky, and pay attention to criticism. Don't let it rule you, but listen to the points being made and try to incorporate them into your writing. In the worst case scenario it turns out not to work, but just about all the advice I've seen come through this thread has been of sound quality and value.
- I dont[sic] think I ever said that I do not want to improve. I simply said that I refuse to change my style into something I am not comportable[sic] with. But thanks anyway
Nobody is telling you to change your style. What you're trying to accomplish is a perfectly valid form of writing. The advice being provided is offered in an attempt to help you avoid pratfalls and improve the quality of your work, not change its subject. All my issues with your writing are based on its mechanics, not its content.
So long story short, my main fault is the too much methapors?
Damn, but I cant get wet from straight forward assualts that you males love. What should I do....
Pepper in the metaphors instead of layering them on top of everything else. Think of it like a well-balanced meal. Balance, young padawan, you must always seek balance in your meals, and your prose. You've got the protein(meat, fish, soy, etc.), which is the underlying subplot driving the scene. Then you have the starch (rice, potatoes, etc.) providing the metaphorical glue in the form of character insights and reactions. Nearby are the vegetables and dairy, offering a hefty helping of literal visual descriptions to set the scene.
Then, off to the side, there's a chocolate molten lava cake topped with whipped cream and a cherry sauce providing devilishly sweet counterbalance in the form of powerful, poetically licensed superlative interludes for moments meant to shock, disturb, and enlighten your reader; or 'get them wet' to use your term. Unlike a normal meal, you take a bite from that sweet confection every so often during the main meal and it keeps the reader interested.
If you were to just eat the cake, it would be exciting for a while, but it ends up becoming boring and leaves your reader's palette overloaded. Instead, stuff a bite of the cake in their mouth every couple of passages to keep them entertained, but don't shovel it into their mouth or they'll just choke.
Now I'm hungry...