This exactly. I think the things you find wrong with cross-over fiction are solved through quality writing. If you do so properly, assume nothing, and know the source material, it will not be easy, but it's not impossible to combine two different worlds without the issues you (Silentcook) described.Doomish wrote:It's completely subjective what is and isn't a bad concept for a story; the only way to know if it won't work out is to write it.
Granted, some combinations are more ridiculous than others. Trying to cross a superhero tale with desperately debaucherous doujin denizens will probably end up lacking the structure to support the audacity of both universes. Why anyone would even attempt to combine those worlds is beyond my scope of imagination, but this is the internet and Rule 34 is alive and well.
However, if you treat both worlds with respect, I think it's possible to transplant characters from one story into another; consider "A Connecticut Yankee in King Arthur's Court" as an example. Clemens, were he alive today, would probably approach crossover fiction as an extension of that kind of exploratory literature. Even something like "Bill and Ted's Excellent Adventure" could be considered a cross-over story; transplanting two imbeciles into various periods of history and having them meet a variety of historical figures. Granted, some of the characterization in that film is probably rudimentary at best, but many of those historical figures don't have any more than a perfunctory biography available; it didn't make the movie any less enjoyable.