'Mistaking Identify' (A Class 3.4 Fiction) (Ch8 up 20160303)
Posted: Thu Mar 03, 2016 2:10 am
Kenichi: Mistaking Identify (T -17) Chapter 8—A Day Spent Hating Oneself
Monday, 30th April 2007—Shōwa Day Observation
Eventually I had to write it all down. Monday 30th April was the day that changed everything. I think it was on that day, that it all made sense in a different way.
*****
I wake up, and she is very beautiful in the morning light coming in from the one window, and it’s all very wrong. “Ah-Ah?” I inquire, my mind racing desperately as I try to figure out what comes next. The scent of her everywhere, and the musk of our intensity, the flashing colours of her moan and my release, they are everywhere in my head, like one of Rin Tezuka’s paintings.
“Yes, Mr Satou of the curly hair? I think I might be changing my mind about not wanting an attachment.”
“Err… did we?” I say lamely, temporizing further. “I mean, are we…?” My voice trails away as I smell the shadow of disappointment in her voice, like freshly plucked mint leaves suddenly gone stale.
“Oh,” she says simply, her voice suddenly defeated. “It’s like that. I’m sorry. I should not have presumed.”
She’s naked, and so am I, and the heat of the morning sun has made us throw off the sheets in what seems to be a different room, not mine. But it’s somehow cold, and she bunches the sheets up around her small breasts, and I feel sad and silly, like an actor who has just delivered his lines badly on the wrong stage.
I look around, see the slash of the sunlight’s blade across her skinny jeans thrown over a wooden chair, note how she has always been a tidy person, realize that I have been messy in more than one way. I recognize the sharp angle of her nose, so close to my own for much of the night—a night now coming back into my conscious memory. I can’t find words, and I wouldn’t know what to say even if I had them. I run my hands through my hair.
Time rolls on, like the tide of dead fish after a tsunami has left. I have my clothes on at last, alternating between looking away from the forlorn goddess on the bed and attempting inane conversation with the woman I loved for one intoxicated night. In the centre of my head is a silence, and in that silence I hear a part of me say clearly, “Kenichi, you fool.”
*****
The problem with the longest long weekend in the Japanese school calendar is this: if you’re in a boarding school, trapped with a number of others who don’t go home for that holiday period, there is nowhere to run if you commit a social crime. And there isn’t even the exquisite agony of classroom time during which you can attempt to use an imposed social environment to mend bridges in the underlying social network. I am doomed.
The first message I get on my phone is not, [Kenichi, you fool.] Instead, it’s from Hiroshi, and it says, [Satou, you bastard.]
I guess I do deserve that. I feel miserable and out of sorts and confused. I felt like a shrew dropping all the way back on the long walk from the girls’ dorm to ours; after all, I’d treated Ageha, ethereal wonky-looking happy curious mysterious warm Ah-Ah, like something trashy to be discarded.
I put down the phone, feeling lightheaded, drained. It lights up immediately with another message. [Uchida wants to see you.]
This time, I groan. Being reamed out by Uchida would be worse even than being carped at by Nomiya. And the fact that neither Uchida nor Hiroshi (well, we’re clearly not friends anymore, so ‘Mizuno’ will have to do) has paid me a personal visit shows how low their opinion of me must be. I am being summoned.
Drearily, I stand, shove my phone in a pocket, and head out into the now hostile environment of the residential corridors. Nothing has changed physically, but the smell and sound and colours of dread are everywhere, like serpents and rats in the walls.
Half a floor up, as I drag my heavy feet towards the doom that awaits, I see that doom’s schedule has been accelerated. Uchida and Mizuno are standing like two guardian deities at the entrance to Uchida’s hallway. Their faces look somber, and Mizuno’s has a touch of repressed fury in it.
“Good morning, gentlemen,” I say half-heartedly. “What can I do for you?”
“Hello, Satou,” says the cold, urbane, indigo voice of my floor supervisor. It’s almost as if he is a shell and the voice is the hermit crab living in it. “I have a little social problem that a member of the Ladies’ Residential Building has brought to my attention. We are here to attempt some form of resolution.”
I twitch. At the word ‘resolution’, Mizuno’s eye seems to burn with fire. He says nothing, but his cyclopean look says a lot, none of which bodes well for me.
“Ah,” I open, before realizing that it’s a loser’s gambit. “Sorry, please tell me about the problem and how I might help.”
Uchida continues, his voice as level as ever. “Miss Ainaka, who does not mind me identifying her as the source, saw you leave Miss Asai’s room this morning. That in itself is a breach of school rules. However, she then attempted to ascertain whether there were mitigating or ameliorating circumstances. So she asked Asai how she was. Asai’s reply was that you had left, and apparently her tone was such that Ainaka was utterly distressed.”
My head dips. I’m no longer able to keep up a positive appearance. “I am sorry.”
Remorselessly, Uchida allows the silence to swallow up my apology before replying and adding more pain. “I doubt either of us is qualified to accept an apology on her behalf. Your apology is vague and in any case misdirected. Let me establish the narrative now in circulation.”
I meet his eyes. There is no mercy in them. Mizuno stays silent, the fire of his one-eyed gaze still slowly burning a hole through my skull.
“Yesterday, you were invited on what one witness described as a ‘sort of triple date, just for fun, for making sad people less sad.’ It turned out that this was an excellent exercise of student initiative, or perhaps just friendliness with the hope of developing friendship. Everyone was cheerful, people had a good time, even Miss Yoshida, who is not one for social events.
“The eventual consequence of a day out was that it led, in one case, to a night out between a man and a woman. This happy couple? Miss Asai and yourself. Apparently, your friends thought it would be a good match, and so it was. You got along well, despite both of you suffering from unrequited love for someone else.”
This is news to me. Ah-Ah had been feeling that way while we were together? I can’t help but wonder who, but not for long. Uchida’s tone is still matter-of-fact, but the steely thread of censure is beginning to wind its cold grey thread through his midnight-blue tones.
“Ainaka now suspects that you used this happy situation to make yourself feel better, and then you failed to follow up on implied promises. This means that Asai, who was on the verge of recovery from her own situation, is now probably a lot further from that recovery. If all this is indeed to be laid at your door, then you, sir, are a cad.”
The barrage pauses. He looks as if he expects me to defend myself. Mizuno looks as if he’d like to take a sabre to my neck.
I’d really like that sabre, right now. It would be cold and clean. I feel like an old-time samurai contemplating the honourable exit. But I should at least read out my farewell poem. Or in this case, tell the truth.
“It was not my intention. I panicked when I woke up. I didn’t know what to do.”
I see Mizuno’s upper lip curl on the left as he involuntarily displays his canine on that side. It’s a sign of disgust, and I find myself agreeing with it.
“I can tell that you are trying to be honest. That is something positive in your favour. However, the instinctive behaviour displayed was that of a cornered animal presented with one simple escape route. You desired no commitment and ran, like a coward. You were not a gentleman at all.”
It hurts, to hear such an analysis of my actions. Worse, it sounds about right.
“So, what would you like to do? Mr Mizuno here has been Miss Asai’s friend since they were in First Year. They have launched many projectiles together and trained with longbow, shortbow and even footbow. They are close, and Mizuno is rather protectively affectionate towards her. If you agree, he can deliver a severe beating that will satisfy honour without endangering your life. I will share with him the few relevant medical details I am allowed to know, as your floor supervisor, before summary justice is carried out.
“On the other hand, if you would like to attempt the far more difficult task of patching things up before the Residential Committee of the Ladies’ Residential Building, we will consider it even more satisfactory. After all, direct punishment is not as difficult and personal as attempting to satisfy what our friend downstairs calls ‘the Feminist Cabal’.”
I think about it. I think a bit longer, but nothing happens. Out of the corner of my eye, I suddenly realize that Mizuno’s veins are swelling. I can see one bulge in his forehead and one throb over his right temple. He is waiting to kill me, and I feel I deserve it. What he doesn’t deserve is the pain of not being allowed to kill me.
I make up my mind. “Can I choose both?”
Uchida’s thin lips twitch a little, as if he has felt a momentary surge of amusement. “No. We appreciate your desire to do the gentlemanly thing, but nobody wants double punishments to become the norm. You have until sunset today to decide, and we will accommodate your choice some time tomorrow.”
I make up my mind again, not out of fear, but out of despair. “I’ll go over.”
Mizuno lets out a very soft sigh. It’s at this point that I realize he never really wanted to beat me up, even though he felt like it. I feel a tiny bit of comradely warmth for him.
“There is some good news,” says the implacable, ineffable Uchida. “Ibarazaki has gone home for the holiday with her friend Tezuka. Others who might give you greater difficulties are also away. The acting chair of the Ladies’ RC is Saki Enomoto, the president of the Art Club and also the current class representative of 3-3. She will be a most worthy adjudicator. I wish you all the best.”
*****
Now that the direction of my fate is apparently locked in to everyone’s satisfaction, like some deadly missile ticking over at low altitude, I have time to properly hate myself. And that is what I do after a slice of cold pizza and a quiet pot of tea. I take out my pen and some paper. Quietly, as an exercise in traditional courtesies, I begin to write my jisei—the poem that conveys the last thoughts of one’s life.
=====
prev | next
Monday, 30th April 2007—Shōwa Day Observation
Eventually I had to write it all down. Monday 30th April was the day that changed everything. I think it was on that day, that it all made sense in a different way.
*****
I wake up, and she is very beautiful in the morning light coming in from the one window, and it’s all very wrong. “Ah-Ah?” I inquire, my mind racing desperately as I try to figure out what comes next. The scent of her everywhere, and the musk of our intensity, the flashing colours of her moan and my release, they are everywhere in my head, like one of Rin Tezuka’s paintings.
“Yes, Mr Satou of the curly hair? I think I might be changing my mind about not wanting an attachment.”
“Err… did we?” I say lamely, temporizing further. “I mean, are we…?” My voice trails away as I smell the shadow of disappointment in her voice, like freshly plucked mint leaves suddenly gone stale.
“Oh,” she says simply, her voice suddenly defeated. “It’s like that. I’m sorry. I should not have presumed.”
She’s naked, and so am I, and the heat of the morning sun has made us throw off the sheets in what seems to be a different room, not mine. But it’s somehow cold, and she bunches the sheets up around her small breasts, and I feel sad and silly, like an actor who has just delivered his lines badly on the wrong stage.
I look around, see the slash of the sunlight’s blade across her skinny jeans thrown over a wooden chair, note how she has always been a tidy person, realize that I have been messy in more than one way. I recognize the sharp angle of her nose, so close to my own for much of the night—a night now coming back into my conscious memory. I can’t find words, and I wouldn’t know what to say even if I had them. I run my hands through my hair.
Time rolls on, like the tide of dead fish after a tsunami has left. I have my clothes on at last, alternating between looking away from the forlorn goddess on the bed and attempting inane conversation with the woman I loved for one intoxicated night. In the centre of my head is a silence, and in that silence I hear a part of me say clearly, “Kenichi, you fool.”
*****
The problem with the longest long weekend in the Japanese school calendar is this: if you’re in a boarding school, trapped with a number of others who don’t go home for that holiday period, there is nowhere to run if you commit a social crime. And there isn’t even the exquisite agony of classroom time during which you can attempt to use an imposed social environment to mend bridges in the underlying social network. I am doomed.
The first message I get on my phone is not, [Kenichi, you fool.] Instead, it’s from Hiroshi, and it says, [Satou, you bastard.]
I guess I do deserve that. I feel miserable and out of sorts and confused. I felt like a shrew dropping all the way back on the long walk from the girls’ dorm to ours; after all, I’d treated Ageha, ethereal wonky-looking happy curious mysterious warm Ah-Ah, like something trashy to be discarded.
I put down the phone, feeling lightheaded, drained. It lights up immediately with another message. [Uchida wants to see you.]
This time, I groan. Being reamed out by Uchida would be worse even than being carped at by Nomiya. And the fact that neither Uchida nor Hiroshi (well, we’re clearly not friends anymore, so ‘Mizuno’ will have to do) has paid me a personal visit shows how low their opinion of me must be. I am being summoned.
Drearily, I stand, shove my phone in a pocket, and head out into the now hostile environment of the residential corridors. Nothing has changed physically, but the smell and sound and colours of dread are everywhere, like serpents and rats in the walls.
Half a floor up, as I drag my heavy feet towards the doom that awaits, I see that doom’s schedule has been accelerated. Uchida and Mizuno are standing like two guardian deities at the entrance to Uchida’s hallway. Their faces look somber, and Mizuno’s has a touch of repressed fury in it.
“Good morning, gentlemen,” I say half-heartedly. “What can I do for you?”
“Hello, Satou,” says the cold, urbane, indigo voice of my floor supervisor. It’s almost as if he is a shell and the voice is the hermit crab living in it. “I have a little social problem that a member of the Ladies’ Residential Building has brought to my attention. We are here to attempt some form of resolution.”
I twitch. At the word ‘resolution’, Mizuno’s eye seems to burn with fire. He says nothing, but his cyclopean look says a lot, none of which bodes well for me.
“Ah,” I open, before realizing that it’s a loser’s gambit. “Sorry, please tell me about the problem and how I might help.”
Uchida continues, his voice as level as ever. “Miss Ainaka, who does not mind me identifying her as the source, saw you leave Miss Asai’s room this morning. That in itself is a breach of school rules. However, she then attempted to ascertain whether there were mitigating or ameliorating circumstances. So she asked Asai how she was. Asai’s reply was that you had left, and apparently her tone was such that Ainaka was utterly distressed.”
My head dips. I’m no longer able to keep up a positive appearance. “I am sorry.”
Remorselessly, Uchida allows the silence to swallow up my apology before replying and adding more pain. “I doubt either of us is qualified to accept an apology on her behalf. Your apology is vague and in any case misdirected. Let me establish the narrative now in circulation.”
I meet his eyes. There is no mercy in them. Mizuno stays silent, the fire of his one-eyed gaze still slowly burning a hole through my skull.
“Yesterday, you were invited on what one witness described as a ‘sort of triple date, just for fun, for making sad people less sad.’ It turned out that this was an excellent exercise of student initiative, or perhaps just friendliness with the hope of developing friendship. Everyone was cheerful, people had a good time, even Miss Yoshida, who is not one for social events.
“The eventual consequence of a day out was that it led, in one case, to a night out between a man and a woman. This happy couple? Miss Asai and yourself. Apparently, your friends thought it would be a good match, and so it was. You got along well, despite both of you suffering from unrequited love for someone else.”
This is news to me. Ah-Ah had been feeling that way while we were together? I can’t help but wonder who, but not for long. Uchida’s tone is still matter-of-fact, but the steely thread of censure is beginning to wind its cold grey thread through his midnight-blue tones.
“Ainaka now suspects that you used this happy situation to make yourself feel better, and then you failed to follow up on implied promises. This means that Asai, who was on the verge of recovery from her own situation, is now probably a lot further from that recovery. If all this is indeed to be laid at your door, then you, sir, are a cad.”
The barrage pauses. He looks as if he expects me to defend myself. Mizuno looks as if he’d like to take a sabre to my neck.
I’d really like that sabre, right now. It would be cold and clean. I feel like an old-time samurai contemplating the honourable exit. But I should at least read out my farewell poem. Or in this case, tell the truth.
“It was not my intention. I panicked when I woke up. I didn’t know what to do.”
I see Mizuno’s upper lip curl on the left as he involuntarily displays his canine on that side. It’s a sign of disgust, and I find myself agreeing with it.
“I can tell that you are trying to be honest. That is something positive in your favour. However, the instinctive behaviour displayed was that of a cornered animal presented with one simple escape route. You desired no commitment and ran, like a coward. You were not a gentleman at all.”
It hurts, to hear such an analysis of my actions. Worse, it sounds about right.
“So, what would you like to do? Mr Mizuno here has been Miss Asai’s friend since they were in First Year. They have launched many projectiles together and trained with longbow, shortbow and even footbow. They are close, and Mizuno is rather protectively affectionate towards her. If you agree, he can deliver a severe beating that will satisfy honour without endangering your life. I will share with him the few relevant medical details I am allowed to know, as your floor supervisor, before summary justice is carried out.
“On the other hand, if you would like to attempt the far more difficult task of patching things up before the Residential Committee of the Ladies’ Residential Building, we will consider it even more satisfactory. After all, direct punishment is not as difficult and personal as attempting to satisfy what our friend downstairs calls ‘the Feminist Cabal’.”
I think about it. I think a bit longer, but nothing happens. Out of the corner of my eye, I suddenly realize that Mizuno’s veins are swelling. I can see one bulge in his forehead and one throb over his right temple. He is waiting to kill me, and I feel I deserve it. What he doesn’t deserve is the pain of not being allowed to kill me.
I make up my mind. “Can I choose both?”
Uchida’s thin lips twitch a little, as if he has felt a momentary surge of amusement. “No. We appreciate your desire to do the gentlemanly thing, but nobody wants double punishments to become the norm. You have until sunset today to decide, and we will accommodate your choice some time tomorrow.”
I make up my mind again, not out of fear, but out of despair. “I’ll go over.”
Mizuno lets out a very soft sigh. It’s at this point that I realize he never really wanted to beat me up, even though he felt like it. I feel a tiny bit of comradely warmth for him.
“There is some good news,” says the implacable, ineffable Uchida. “Ibarazaki has gone home for the holiday with her friend Tezuka. Others who might give you greater difficulties are also away. The acting chair of the Ladies’ RC is Saki Enomoto, the president of the Art Club and also the current class representative of 3-3. She will be a most worthy adjudicator. I wish you all the best.”
*****
Now that the direction of my fate is apparently locked in to everyone’s satisfaction, like some deadly missile ticking over at low altitude, I have time to properly hate myself. And that is what I do after a slice of cold pizza and a quiet pot of tea. I take out my pen and some paper. Quietly, as an exercise in traditional courtesies, I begin to write my jisei—the poem that conveys the last thoughts of one’s life.
=====
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