Ugh.
Sisterhood. *pinches bridge of nose* What do I even say about this thing that I haven't already said either on its thread (especially
here) or scattered here and about within the
Developments thread, or hasn't already been said
here? Well, let's give it a go.
I think a lot of my problems with NuSisterhood stem from the fact that GP has chosen to portray Hanako as
clinically depressed, which I just don't think she is. In the original, the flaws were a lot more readily excusable because the last 3-4 chapters (beginning with the accident that sends Hisao back to the hospital) are pretty much perfection. There was a sense of hope and optimism at the end, and it felt like Hanako was actually emerging from the prison she'd kept herself in for all those years.
With the extended director's cut ending, though, it turns out it was never really within Hanako's power to emerge. That light you saw at the end of the tunnel wasn't the outside, and in fact wasn't even an oncoming train. It turned out to be just a flashlight that somebody dropped alongside the tracks, and now it's just tunnel forever ahead of you. It's a perfectly valid and perfectly realistic representation, but I'd argue that based on what we know in the game, it's
not Hanako. It doesn't really follow from the game's ending, nor from GP's own false ending, that this is Hanako's fate. Instead, it takes those endings and stomps on them.
I do have to wonder how this story would stand if we'd never seen Original Flavor Sisterhood. For my own part, while I'm not big on bittersweet endings, they do work sometimes. Let's face it, anything based on a game with the premise of
Katawa Shoujo is going to attract bittersweet endings like flies, especially when they involve, say, Saki. A couple of my favorite stories on the boards,
Tomorrow's Doom and Kagami Pseudo-Route, are rushing headlong to bittersweet endings, and I'm okay with that. However, when a story like this gives me a conclusion that's, as I said above, at least hopeful and optimistic, and then rips that away and leaves bittersweet in its place, I feel kind of cheated. It makes the bitter sharper and the sweet gets lost underneath. Maybe I wouldn't feel so strongly about it if I had never been told that the original ending was
the ending. Or, maybe I would, because of the whole different-take-on-the-character thing, but obviously now we'll never know.
Is this the best Hanako on the boards? Well...no. Even before NuSisterhood, I thought Trivun's Hanako was more true to the character, at least until he started phoning it in
. I also think Hoitash's Hanako from his various stories is really well done, if a tad over the top (although, hey, it's
Hoitash). I haven't read a ton of Hanako stories, especially in proportion to how much has been written about her since the VN came out, but there honestly aren't many stories about Hanako where she's much more than a cipher. Strangely, a lot of stories where Hanako is done
well wind up going off the rails (Trivun, the FluffAndCrunch stuff, BlackWaltz, etc.), so there isn't as much competition as you'd think. It is, at the very least,
internally consistent, and for everything I've said here it's certainly well-
written, so it's among the better ones.
All in all, though...the fact that
to this day, every time this story gets mentioned on the boards or I talk about it with my reading partner, I get worked up thinking about all the things I
used to like about this story but don't now. I guess that's an accomplishment of some kind
.
ETA: On the other hand, I think GP's
Hisao might be the best Hisao I've read on the boards...