Rika—Stirrings (Update 20160923)
Posted: Fri Sep 23, 2016 4:58 am
WARNING: SPOILERS — probably best if read only after the three main arcs in this thread
It was during the preparation of our mutual friend’s memoirs of the Secret War that I caught Rika Katayama looking at me as if she would prefer to have other words to handle. Over the time we had come to know each other, as sisters of a sort, I had learnt to identify this look as one of indecision, insofar as Rika of Clan Katayama could ever be so undecided. So I asked her what she would want to add to her side of the existing accounts we had, many of which might never be published. It was to my surprise that she began, slowly at first, and then determinedly, to tell me a story of Hokkaido and retribution. [N., Osaka, 2077.]
Rika: Stirrings (2042)
This person, semi-adoptive ‘sister’ of Natsume Ooe through unusual circumstances, has none of that individual's gift of words, nor her journalistic perspicacity. One can only say what is to be said, and perhaps now that we are so much older, and are following paths sure to deviate—perhaps forever and afar—it may be time to say it all.
The story this person tells begins in the year 2042, and it is part of the story of the invisible sisterhood that wove its web by accident through the generation before mine. As always, one begs the indulgence of one’s readers. It is not intended that those who read should suffer the poor skill of the narrator. Accordingly, this one has requested minor editing by the aforementioned Ms Ooe, redoubtable editor of editors. It is she who has made this account fall into the first-person-voice that is so uncomfortable from this person’s perspective.
*****
There was a squirrel. I looked upon it with dismay, because it was small and dirty-brown, and it was dead. It lay stretched out beneath an old tree, peaceful and undamaged. It had died on its back, its arms and legs open to the sky. Either someone had arranged it that way, or it had died celebrating its short life.
I did not touch it, because that is not the way of our people. I only gave thanks for its life, and commended its spirit to nature. When I looked up, my eyes were damp. Through the distortion of watery lenses, I saw a man in a long coat, and for a moment, I thought I had seen a ghost. How ironic.
I blinked, and the moment resolved. This man wore, as usual, a bright scarf with many stripes. His thick glasses would have made anyone suspect that here was a throwback to the days of spectacles, before lens-shaping became common. I knew better.
“Good day, Setou-san,” I said. There may have been a touch of warmth. I had come to know this crazy person as a friend, and also knew that he was not half as crazy as he seemed. Absent-mindedly, I gathered some of my long silver tresses in my left hand, like a sorceress about to perform some magical spell.
“Good day, Katayama-san. Maybe not so good. We will miss him. Is that a squirrel?” he said nasally, his voice echoing like a saw in a forest.
There is nothing like winter to make people remember their sadness, and feel it. I bit my lip a little and forced myself not to say anything for a while.
“Poor squirrel,” Kenji Setou whispered. I could tell he meant it. “Ah well, better to go to sleep and not wake up than run around and starve, right?”
I could tell he meant that too, and for a moment, I felt a little anger, like a dusting of seaweed flakes over cold udon. But he was right, and I, who had been the Sword of the Katayamas, understood.
In the distance, I could see the others in our little committee. The big man and his sister seemed to be playfully sparring, but in more subdued fashion than their usual way. I could hear his sister’s friend from where I stood, her voice as sharp and loud as ever.
“I suppose you are right, Kenji. Come, we have things to do, and people to meet. How is old Mrs Ibarazaki?”
“My son tells me she is broken by this final grief. Very sad.”
I nodded. I could understand. Goro Kaneshiro had been my husband’s best friend. Everyone had just called him ‘Nurse’ even when he had become a doctor, but he had been much more than that. I would miss him—I would never forget his kindness on the day that I had been in Tokyo when I should have been in Sendai.
“Will Natsume be here as well?” I asked, looking in vain for that familiar glowering stare.
“No. Best she knows little. I won’t put her in danger.”
I could sense some bitterness. Only two years had passed since a government agency and two sets of secret guardians had failed in their protective duties. I watched as Kenji Setou, Director-General of a certain secretive agency, bent to look more closely at the squirrel lying stiff upon the ground. Was that a tear in his eye?
He stood up abruptly. “Come on, Katayama-san.”
It was time to decide what to do with the tangled mess hiding in the North.
*****
I am not completely an albino, genetically. It is easy to make that assumption because my hair is silver and my irises have been known to gleam reddish under certain lights. If I were indeed a full albino, my health would have been a lot more precarious than it was. These days, I have no problems with my health at all, with gratitude due to the Nakai Foundation’s secret history.
I can, however, be very difficult to detect visually when in stealth mode and hiding in winterscape. Venting heat through the invisibility field, I made my slow bat-winged approach to the non-descript house on the hillside. I was not surprised when the woman in black jeans spotted me and waved. From my distant vector, I could already see her light-brown hair cowled around her still-pretty face.
I touched down a few minutes later, allowing my heat to dissipate unnoticeably. As I broke my landing, rose and bowed towards her, I was struck by how delighted she seemed to be meeting me. The awkwardness I have always imagined to be there, between Michiko and me, has never actually been there at all.
She bowed in return, smiling. “Rika! You had no trouble getting here?”
“Senior lady, this one had no difficulties. It is always a pleasure.”
She laughed softly. It was pleasant, like the running of water over smooth stones. “I see that this is one of those occasions on which nobody must be allowed to know that you were ever here.”
“Ah, one is mortified to be so obvious,” I jested, although I admit I had a touch of discomfort at the dramatic circumstances of my arrival.
“I suspected you would be here to inquire into the entity we have agreed to call ‘Universal Export’. Having such suspicions, I’ve invited our legal friend to join us. She awaits us indoor, having muttered something about not enduring yet another blasted cold winter.”
My discomfort became somewhat more acute. Akira Satou was not one of the people I had ever felt comfortable with. Her cinnamon-brown eyes could flash almost blood-red in direct sunlight, and with her fair complexion, she had always reminded me of myself given ‘real’ colour. I had once seen a photograph of her with flowing blonde hair, when she had been a young lady, and it had produced a shiver of uncanny dread within me.
I mustered a laugh of my own, one of the polite but fairly enthusiastic type. “It will be an event worth remembering, to meet Akira once more.”
Michiko gave me an oddly amused look. “It will always be an event worth remembering when the three of us are gathered in one place.”
I nodded uncertainly, then stopped to gather up my gear and repack it neatly. My upbringing had always been one involving exact and appropriate behaviour.
*****
I stood under a familiar tree some days later. The guardians of the place had been scrupulous about clearing dead leaves and flowers, but they had left one thing alone. I looked down at the cleaned-out remains of my dead squirrel. Its bones had been polished by beetles, I suspected. Rain had washed everything over the weeks I had been away. I had no idea why I had returned to this place, except that perhaps I wanted to find out how the squirrel was doing.
“This is what has passed,” I found myself saying. “Slowly, the old bones are all that is left, and then soon that too will be gone. Murakami was a Japanese writer, but he was not a writer of Japanese. That is what time and distance do to people.”
The trenchcoated figure nearby finally deigned to show attention. He straightened and unfolded himself to his full height, not taller than I except for his hat. “Ha, I was thinking of a girl who used to say things like that. You’re not her.”
“No,” I said, with appropriate sadness, “This one is not anything like Naomi Inoue-san.”
“No,” he replied, after a moment’s silence. “You’re not. But thanks for remembering. How was Hokkaido?”
“This person thinks she will, within the next few years, have to make a trip to Edinburgh. It has been said that it is a lot like Sapporo, but shrunken and wizened.”
“Aha, aha. Perhaps I should pay a visit to Edinburgh too. It is good to keep in touch with old classmates and to pay respects to those to whom respect is due, yes?”
I am not a person inclined to appreciate humour so much, but his raw and self-mocking tone, over the years, had taught me to keep a sense of amusement in reserve. I smiled at him. “And what gifts will Kenji Director-san bring to Edinburgh?”
“Oho. I think Rika Director-san and I can put together a gift worthy of our half-foreign friend. Or, at least, offer it even if she does not accept it.”
I thought for a moment and realized what he meant. “Kenji,” I said firmly, “Director-san’s augmentation is a scaling-up from non-zero baseline; one cannot scale up from zero, because anything multiplying zero still gives zero. Or, in a qualitative sense, it gives something that may possibly be dangerously different.”
“Do you know that you have excellent facial bone-structure?”
His tone was so casual that I did not quite understand him at first. And then I did. “What augmentation version?” I asked.
“That would be telling, although it’s still a prototype. Uses an in-house trick based on the work of the Foundation. Converts an ultrasound imaging into a direct optic visualization. Very cool.” He grinned, as if inordinately pleased with himself.
“Is Kenji turning into a bat-man, then?” I asked sweetly, but with a tinge of acid.
“No, no… Kenji is turning into a better watcher of things, so that…” his voice trailed off, filled with unvoiced emotion.
I looked sharply at him. “So that… what?”
“Nobody will be lost again if I can help it, I suppose. Haha, it’s a good idea, right?”
His thick lenses did not fool me. Although Kenji Setou might have been legally blind for many years, he was illegally sighted, if you were to look at it a different way. But what I saw in his blank gaze was a profound sadness, and my response, although I did not know it then, would have profound consequences.
“Clan Katayama will support your endeavours, I suspect. We might not always… see eye to eye, but we do what we must.”
He nodded, displaying gratitude. I looked down, watched the busy beetles for a while, making the clean squirrel bones cleaner. When I looked up, he was gone. It would be more than two decades before I could sit down and count the cost.
=====
index | end
It was during the preparation of our mutual friend’s memoirs of the Secret War that I caught Rika Katayama looking at me as if she would prefer to have other words to handle. Over the time we had come to know each other, as sisters of a sort, I had learnt to identify this look as one of indecision, insofar as Rika of Clan Katayama could ever be so undecided. So I asked her what she would want to add to her side of the existing accounts we had, many of which might never be published. It was to my surprise that she began, slowly at first, and then determinedly, to tell me a story of Hokkaido and retribution. [N., Osaka, 2077.]
Rika: Stirrings (2042)
This person, semi-adoptive ‘sister’ of Natsume Ooe through unusual circumstances, has none of that individual's gift of words, nor her journalistic perspicacity. One can only say what is to be said, and perhaps now that we are so much older, and are following paths sure to deviate—perhaps forever and afar—it may be time to say it all.
The story this person tells begins in the year 2042, and it is part of the story of the invisible sisterhood that wove its web by accident through the generation before mine. As always, one begs the indulgence of one’s readers. It is not intended that those who read should suffer the poor skill of the narrator. Accordingly, this one has requested minor editing by the aforementioned Ms Ooe, redoubtable editor of editors. It is she who has made this account fall into the first-person-voice that is so uncomfortable from this person’s perspective.
*****
There was a squirrel. I looked upon it with dismay, because it was small and dirty-brown, and it was dead. It lay stretched out beneath an old tree, peaceful and undamaged. It had died on its back, its arms and legs open to the sky. Either someone had arranged it that way, or it had died celebrating its short life.
I did not touch it, because that is not the way of our people. I only gave thanks for its life, and commended its spirit to nature. When I looked up, my eyes were damp. Through the distortion of watery lenses, I saw a man in a long coat, and for a moment, I thought I had seen a ghost. How ironic.
I blinked, and the moment resolved. This man wore, as usual, a bright scarf with many stripes. His thick glasses would have made anyone suspect that here was a throwback to the days of spectacles, before lens-shaping became common. I knew better.
“Good day, Setou-san,” I said. There may have been a touch of warmth. I had come to know this crazy person as a friend, and also knew that he was not half as crazy as he seemed. Absent-mindedly, I gathered some of my long silver tresses in my left hand, like a sorceress about to perform some magical spell.
“Good day, Katayama-san. Maybe not so good. We will miss him. Is that a squirrel?” he said nasally, his voice echoing like a saw in a forest.
There is nothing like winter to make people remember their sadness, and feel it. I bit my lip a little and forced myself not to say anything for a while.
“Poor squirrel,” Kenji Setou whispered. I could tell he meant it. “Ah well, better to go to sleep and not wake up than run around and starve, right?”
I could tell he meant that too, and for a moment, I felt a little anger, like a dusting of seaweed flakes over cold udon. But he was right, and I, who had been the Sword of the Katayamas, understood.
In the distance, I could see the others in our little committee. The big man and his sister seemed to be playfully sparring, but in more subdued fashion than their usual way. I could hear his sister’s friend from where I stood, her voice as sharp and loud as ever.
“I suppose you are right, Kenji. Come, we have things to do, and people to meet. How is old Mrs Ibarazaki?”
“My son tells me she is broken by this final grief. Very sad.”
I nodded. I could understand. Goro Kaneshiro had been my husband’s best friend. Everyone had just called him ‘Nurse’ even when he had become a doctor, but he had been much more than that. I would miss him—I would never forget his kindness on the day that I had been in Tokyo when I should have been in Sendai.
“Will Natsume be here as well?” I asked, looking in vain for that familiar glowering stare.
“No. Best she knows little. I won’t put her in danger.”
I could sense some bitterness. Only two years had passed since a government agency and two sets of secret guardians had failed in their protective duties. I watched as Kenji Setou, Director-General of a certain secretive agency, bent to look more closely at the squirrel lying stiff upon the ground. Was that a tear in his eye?
He stood up abruptly. “Come on, Katayama-san.”
It was time to decide what to do with the tangled mess hiding in the North.
*****
I am not completely an albino, genetically. It is easy to make that assumption because my hair is silver and my irises have been known to gleam reddish under certain lights. If I were indeed a full albino, my health would have been a lot more precarious than it was. These days, I have no problems with my health at all, with gratitude due to the Nakai Foundation’s secret history.
I can, however, be very difficult to detect visually when in stealth mode and hiding in winterscape. Venting heat through the invisibility field, I made my slow bat-winged approach to the non-descript house on the hillside. I was not surprised when the woman in black jeans spotted me and waved. From my distant vector, I could already see her light-brown hair cowled around her still-pretty face.
I touched down a few minutes later, allowing my heat to dissipate unnoticeably. As I broke my landing, rose and bowed towards her, I was struck by how delighted she seemed to be meeting me. The awkwardness I have always imagined to be there, between Michiko and me, has never actually been there at all.
She bowed in return, smiling. “Rika! You had no trouble getting here?”
“Senior lady, this one had no difficulties. It is always a pleasure.”
She laughed softly. It was pleasant, like the running of water over smooth stones. “I see that this is one of those occasions on which nobody must be allowed to know that you were ever here.”
“Ah, one is mortified to be so obvious,” I jested, although I admit I had a touch of discomfort at the dramatic circumstances of my arrival.
“I suspected you would be here to inquire into the entity we have agreed to call ‘Universal Export’. Having such suspicions, I’ve invited our legal friend to join us. She awaits us indoor, having muttered something about not enduring yet another blasted cold winter.”
My discomfort became somewhat more acute. Akira Satou was not one of the people I had ever felt comfortable with. Her cinnamon-brown eyes could flash almost blood-red in direct sunlight, and with her fair complexion, she had always reminded me of myself given ‘real’ colour. I had once seen a photograph of her with flowing blonde hair, when she had been a young lady, and it had produced a shiver of uncanny dread within me.
I mustered a laugh of my own, one of the polite but fairly enthusiastic type. “It will be an event worth remembering, to meet Akira once more.”
Michiko gave me an oddly amused look. “It will always be an event worth remembering when the three of us are gathered in one place.”
I nodded uncertainly, then stopped to gather up my gear and repack it neatly. My upbringing had always been one involving exact and appropriate behaviour.
*****
I stood under a familiar tree some days later. The guardians of the place had been scrupulous about clearing dead leaves and flowers, but they had left one thing alone. I looked down at the cleaned-out remains of my dead squirrel. Its bones had been polished by beetles, I suspected. Rain had washed everything over the weeks I had been away. I had no idea why I had returned to this place, except that perhaps I wanted to find out how the squirrel was doing.
“This is what has passed,” I found myself saying. “Slowly, the old bones are all that is left, and then soon that too will be gone. Murakami was a Japanese writer, but he was not a writer of Japanese. That is what time and distance do to people.”
The trenchcoated figure nearby finally deigned to show attention. He straightened and unfolded himself to his full height, not taller than I except for his hat. “Ha, I was thinking of a girl who used to say things like that. You’re not her.”
“No,” I said, with appropriate sadness, “This one is not anything like Naomi Inoue-san.”
“No,” he replied, after a moment’s silence. “You’re not. But thanks for remembering. How was Hokkaido?”
“This person thinks she will, within the next few years, have to make a trip to Edinburgh. It has been said that it is a lot like Sapporo, but shrunken and wizened.”
“Aha, aha. Perhaps I should pay a visit to Edinburgh too. It is good to keep in touch with old classmates and to pay respects to those to whom respect is due, yes?”
I am not a person inclined to appreciate humour so much, but his raw and self-mocking tone, over the years, had taught me to keep a sense of amusement in reserve. I smiled at him. “And what gifts will Kenji Director-san bring to Edinburgh?”
“Oho. I think Rika Director-san and I can put together a gift worthy of our half-foreign friend. Or, at least, offer it even if she does not accept it.”
I thought for a moment and realized what he meant. “Kenji,” I said firmly, “Director-san’s augmentation is a scaling-up from non-zero baseline; one cannot scale up from zero, because anything multiplying zero still gives zero. Or, in a qualitative sense, it gives something that may possibly be dangerously different.”
“Do you know that you have excellent facial bone-structure?”
His tone was so casual that I did not quite understand him at first. And then I did. “What augmentation version?” I asked.
“That would be telling, although it’s still a prototype. Uses an in-house trick based on the work of the Foundation. Converts an ultrasound imaging into a direct optic visualization. Very cool.” He grinned, as if inordinately pleased with himself.
“Is Kenji turning into a bat-man, then?” I asked sweetly, but with a tinge of acid.
“No, no… Kenji is turning into a better watcher of things, so that…” his voice trailed off, filled with unvoiced emotion.
I looked sharply at him. “So that… what?”
“Nobody will be lost again if I can help it, I suppose. Haha, it’s a good idea, right?”
His thick lenses did not fool me. Although Kenji Setou might have been legally blind for many years, he was illegally sighted, if you were to look at it a different way. But what I saw in his blank gaze was a profound sadness, and my response, although I did not know it then, would have profound consequences.
“Clan Katayama will support your endeavours, I suspect. We might not always… see eye to eye, but we do what we must.”
He nodded, displaying gratitude. I looked down, watched the busy beetles for a while, making the clean squirrel bones cleaner. When I looked up, he was gone. It would be more than two decades before I could sit down and count the cost.
=====
index | end